If you’re using it for professional photography, or you want a serious gear change in the quality of your work, you cannot beat this lens and it would be a great investment that will no doubt help you make money from your photography. Normally we’d be apprehensive of recommending a $3000 lens, but for how good it is, we think it’s worth every cent. Should you buy the Canon RF 28-70mm f/2L USM?
It’s worth noting though that we were using this lens on the Canon EOS R7, which does have in-body image stabilization. Though Canon does claim that it can resist vibration shock, and we think the lens did live up to that claim as none of our images were blurry. The wider aperture means you can shoot handheld at slower shutter speeds than on an f/2.8 or f/4 lens, so really, the lack of image stabilization isn’t a dealbreaker for us. (Image credit: Future: Kimberley Lane)Ī potential downside of this lens is its lack of image stabilization, especially given its huge price tag, but honestly, it does so well in lower light that you don’t really notice that it doesn’t have it. The Canon RF 28-70mm f/2L USM lens gives beautiful landscape and coastal images, provided you stabilize with a tripod on longer exposures.
Its widest focal length of 28mm is probably not wide enough for most astrophotographers, so if that’s what you’re looking for, you may want to check out our best lenses for astrophotography guide for something better suited. The images came out beautifully and it made the scene look lighter than it actually was.
#Big aperture lens canon iso#
We couldn’t test this lens for astrophotography due to cloudy skies, but we did test it one morning in a blue hour before sunrise, and we were very impressed at how bright the images came out, and how little noise there was when we had to push the ISO up. There’s basically no flare when shooting directly into the sun, and the images are crisp and sharp even at the edges wide open at any focal length - it’s like having four prime lenses in one. We’re not sure how, but Canon has managed to produce a lens that makes images deliciously buttery smooth and tack sharp all at once that also gives beautiful, dreamy bokeh. Simply put, the images this lens produces are nothing short of outstanding. Camera settings: Aperture: f/2 | Shutter speed: 1/8000 sec | ISO: 100 at Focal length: 44mm (Image credit: Future: Kimberley Lane) Stunningly, there's no lens flare when shooting directly into the sun at f/2/.
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